Peter Proud is having bad dreams. He keeps having one nightmare in particular wherein he finds himself - as another man - swimming out to a rowboat at the night in the middle of a lake. There’s a woman in the boat (Margot Kidder) and as he reaches the edge of it, he apologizes to her for an argument they’ve just had. She forgives him and says they shall never speak of this again. As he begins to pull himself into the boat with her, she smashes him on the head with s wooden oar and he falls back into the water. She then whacks him one more time on the skull for good measure - drowning him. Proud wakes up screaming in a voice that isn’t his own. All of this really creeps out his “girlfriend” and perfectly perplexes a sleep study doctor who Proud has taken to seeing for assistance. All the while he keeps having flashes of something that seems clearly to be from another life. The “reincarnation” of the film’s title. It’s very much the tale of a man whose former life is trying to make itself known and heard through his present day life/identity. He becomes obsessed with trying to find out why. It’s a really fascinating mystery that is far more experimental than most anything else that director J. Lee Thompson ever did. It feels very much of a piece with some of the strange and ambiguous cinema of the 1970s. It's kind of a trippy film and the periodic flashes of memory bits - a woman, a building, embraces between several men and women - all make for a bizarre atmosphere that adds to the mystery. There's a bit of a VERTIGO vibe to the whole thing. I’m sure that’s part of what drew David Fincher to the material in the first place. I once read that he was angling to remake this movie and was attached to it for a period.

The Jerry Goldsmith score is quite haunting - it reminds me ever so slightly of the Sonic Youth cover of the Carpenter’s song “Superstar” in terms of the melody, but with some electronic blippy stuff and piano mixed in. While beautiful, romantic and melancholy, it is also unsettling and works well to keep the viewer I’ll at ease.
I can't say for sure how I feel about the idea of reincarnation, but there was a time in my life when I was prone to many spells of deja vu and it made me think that there might be something to it (I was a kid at the time). Now all I can say is that I certainly don't know what to believe, but I am intrigued by the concept and find it makes for a very interesting structural device for a movie. I'm a fan of mystery films in general, but I often find myself more drawn to them when they add a supernatural element as well. This one feels like it has a slight kinship with something like THE CHANGELING, though plays for for suspense than horror. I'd seen PETER PROUD circa 2000 on laserdisc, but had not returned to it since. I know I've said this quite often about a lot of different films, but I am very glad to have this movie finally on Blu-ray. It really has become quite obscure these days and very much deserves a platform for rediscovery.
The special features include a new and insightful commentary track from Lee Gambin. In addition, the disc also has:
-Spanish Super 8 Bathtub Scene with Spanish Audio
-Spanish Super 8 vs US - Side by Side w English Audio
-TV Spot
-30 Second Radio Spot
-60 Second Radio Spot
-Animated Image Gallery – International Posters and Lobby Cards (5:38)
-Animated Image Gallery – International Promotional Material (1:55)
-Animated Image Gallery – International Home Video Releases (0:48)

THE MAZE (1953; William Cameron Menzies)
I have a small obsession with this era of 3-D movies - 3-D in general honestly, but there’s something aesthetically enjoyable and compelling for me about the ones that came out in the 1950s in particular. I can’t explain what it is, but it has something to do with the blocking of the actors and the arrangement of the frames to “optimize” the format that draws me in. Often it can lead to somewhat clunky narratives (as is the case with THE MAZE), but I'm fine with that as long as they can deliver on some fun 3-D. The one thing I would say about this film is that with that title as the hook (for me at least), there’s not quite enough maze in it. Of course it is a cinematic (and often budgetary) tradition to withhold things until the last reel, but the big reveal with this one ends up being a little silly to say the least. That said, I was still amused by it overall and I must admit that I really did want to know the answer to the mystery at the center of the movie.

The special features on this disc include an excellent commentary from Film Historians Tom Weaver, Bob Furmanek, Dr. Robert J. Kiss and David Schecter as well as an Interview with actress Veronica Hurst (6 mins).

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